We belong together.

How to describe myself as an Asian American woman right now?
I used to walk on the street, go on the subway and turn the music up real loud
I’m a musician, a teacher, and I want to feel the sound in my bones
Instead I’m scared of having my teeth or head knocked off my orange-seated throne

Every day I gotta choose on my commute, dependent on my mood
Do I go through my lesson in my head, keep my eyes down on my shoes
No, I can’t, instead I stay alert all around me
On a good day I’m listening to a podcast, out of 10 on a volume of 3

How do I begin to explain the daily negotiations 
When news, media, and law don’t acknowledge the racial motivations 
360 West 43rd, I used to live next door
Will it be me or my mom you’ll shut out on the concrete floor

What if I spoke up, how you like that?
I’m dynamite, and a firecracker and I won’t be typecast
I won’t stand for society’s erasure of my i-dentity
I’m here for good measure, for no one’s pleasure, for us and our entities

Strong like chrome I can’t be sanded down
And unlike a cassette tape, I won’t be rewound
Even with my small feet I won’t let me be bound
I can step in and out of Chinatown for my words to be heard and found

My dad emigrated from Hong Kong so my last name TSUI is Cantonese
But (in Cantonese) I do not speak Cantonese, (in English) I’m actually Shanghainese
But (in Shanghainese) if I speak Shanghainese, (in English) y’all go weak at your knees,
And as MC Jin says, y’all better learn Chinese

But being Asian is more than just being from China
I’m a member, a representative of the collective from major to minor
AAPI, a political term for Asian American Pacific Islander
Is not just about East Asians or me that you hear rhyming here

For the South Asians, Brown Asians, Black Asians in our society
Undocumented Asians, adopted Asians, more than obeyers of filial piety
Shouts to Tony Delarosa, Dr. Kevin Nadal
We must be more inclusive than the diversity and equity institutional walls

GoFundMe, Go Fund us in our neighborhoods, our needs and wants
Don’t need the blue eyes white supremacy dragon slanted, tilted, a-Flaunt 
Remember, the system is built on the backs of Black people and labor
When we divide ourselves up we ain’t doing anyone no favors 

Maxine Hong Kingston reminds me of my fellow warrior women
And I want you to listen to the LGBTQ+ and Trans fams, the non-binary people and visions
We must have more than just my mom’s good luck superstitions
Trust y’all, we need to do more learning and listening on our mission

We’re NO model minority, we’re the global majority 
Our voices together are stronger than any authority
So my call to action is for us is to truly unite
We cannot do this alone, we need each other in this fight

Justice is not just is it’s for just us
We cannot take the master’s tools to rectify or make just
We can call to those in power to help our communities
But we must step off each other’s subway stops for true cross-coalition unity 

Let’s stand together and if you need some perspective
Remember that this is lifelong work as one intersectional collective
We are striving for the liberation of our marginalized peoples 
Each one of us is a hero, rest in power 13-year-old Adam Toledo

Black, Brown, Indigenous, Asian, BBIA
BIPOC solidarity, We’re here united and we will rise today
Black Lives Matter as we stand on Munsee Lenape Indigenous Lands
Deep within us, we’re together, our hearts, souls, and hands

It’s 4.4, the anniversary of Dr. King’s final breath countdown
AAPI history, lives, and arts in schools, Ethnic studies is the starting ground
We must eradicate anti-Blackness, It’s not simply just stop Asian hate
Ask “how can I use my voice to activate and stop ALL hate”?

And beyond that I’m asking that we spread so much love
As powerful as the firebird’s flames and the peace of a soaring dove
And to tell every kid we know in our lives and see,
“You matter, and know your voice can set you free”

For my grandfathers and my grandmother, who I’ve never met
I am your wildest dream each day from sunrise to sunset
Today is 清明节 (Qing Ming Jie), a day that means literally clear and bright
In many Asian cultures, it’s a day of rituals for our ancestors’ spirit and might

And for them, our ancestors, our presence, our future, for all to hear
it’s not just we belong here
It’s we belong – together. 

For our ancestors, each other, this moment, our children, say this with me:

I shine bright with my golden light.
I shine bright with my golden light.

Dear grandfathers, grandmothers, I will protect your daughter and son
My mom and my dad, I will protect all our loved ones
As my students say, our joy is revolutionary,
Because we are golden, we are worthy.

Today, I want to end with Isang Bagsak. Isang Bagsak is a solidarity clap that originated in the cross-cultural fight unifying Filipinx and Latinx communities through Larry Itliong and Cezar Chavez. Isang Bagsak literally translates to “one down” and is a unity clap – to signal unity in movements together and that this moment is one down, of many more to go. I learned this from Tony Delarosa, and I am not the culture bearer of “Isang Bagsak”, I am a culture sharer. I, along with all of you, will start clapping together – slowly. As we gain momentum and the clap gets faster and louder, pulsating here in New York City, I will say “Isang Bagsak”, and right after you hear that, we will clap ONE TIME together – as a collective. Let’s do it. 

Isang Bagsak
加油 (Jia You)
My name is Alice Tsui.
Thank you.

Times Square Takeover to Stop Asian Hate 4.4.21 | Photo Credit: Sang Cheng

Music is dance AND dance is music!

“Music is dance AND dance is music!” exclaimed a first grader today. This declaration made me critically analyze and reflect on my own understanding of music and dance. Here are a few thoughts I have:

The forced division of music and dance into separate disciplines that do not interact is colonization at work. There is nothing that dictates the separation of the two aside from the colonization of our minds.

The lived intersection of music and dance is critical to multiple cultures of the global majority. The intersections vary for each culture – all of which should be amplified in the arts. 

Music and dance simply do not exist separately. In certain societies, no general terms exist for music and dance. 

Start your research at the indigenous music and dance of Papua New Guinea, Suyá, and Blackfoot peoples. This is a non-comprehensive list and simply a suggestion for a starting point.

The convergence of music and dance is not monolithic and cannot be applied universally to all cultures. Generalizing will only lead to erasure of individual voices in each culture.

Take critical care in understanding the nuances of music and dance in cultures of the global majority. We must always care deeply for BBIA peoples, their individual realities, and their collective experiences as practitioners of music and dance.

Upon reading and researching, decolonize your understanding of music and dance as separate art forms. Arrive at new understandings of music and dance as you continue to learn.

Authentically envision arts in your community to include the bold and unified intersection of music and dance. Once again, there is nothing that dictates us to uphold the status quo of white supremacy aside from the colonization of our minds.

Empower musicians and dancers to critique and redefine the narratives shared when music and dance come together. Actively critique and redefine the narratives as the convergence of music and dance renews itself through each musician, dancer, and arts practitioner. 

Then keep going.